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The Art of Interruption John Roberts

The Art of Interruption By John Roberts

The Art of Interruption by John Roberts


£44.79
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Summary

Discusses the links between photography and politics in the key modernist movements of the 20th century, providing a critical overview and investigating the validation of arguments for and against the debates around photographic theory and practice.

The Art of Interruption Summary

The Art of Interruption: Realism, Photography and the Everyday by John Roberts

A history of theories of photographic practices, this text sets out to do a number of things: to recover the critical place of the photographic archive within the avant-garde; to defend the philosophic claims of realism in assessing photography this century; and to present a dialogic defence of the naturalistic or documnetary image.

Table of Contents

Introduction - realism, contradiction and interpretation. Photography, the everyday and the Russian Revolution; technique, technology and the everyday - German photographic culture in the 1920s and 1930s; the making of documentary - documentary after factography; the state, the everyday and the archive; Surrealism, photography and the everyday; inside Modernism - American photography and post-war culture; John Berger and Jean Mohr - the return to communality; the rise of theory and the critique of realism - photography in Britain in the 1980s; disfiguring the ideal - the body, photography and the everyday; Jeff Wall - the social pathology of everyday life; Jo Spence - photography, empowerment and the everyday; digital imagery and the critique of realism.

Additional information

GOR011645808
9780719035616
0719035619
The Art of Interruption: Realism, Photography and the Everyday by John Roberts
Used - Like New
Paperback
Manchester University Press
1998-06-04
256
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Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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