"There's so much going on in "Tribes" that it's almost overwhelming: intellect and sentiment, love and cruelty, witty zingers and biting put-downs. But in Nina Raine's dazzling play, too much is a good thing... "Tribes" is pitch-perfect." -- "New York Post"
"In this provocative and original play, Raine keeps the ideas and the ironies coming until the final thrilling, paradoxical image. Raine's gift is for penetration; she makes her story mean more than the social problem it dramatizes." -- "New Yorker"
"There's so much going on in
Tribes that it's almost overwhelming: intellect and sentiment, love and cruelty, witty zingers and biting put-downs. But in Nina Raine's dazzling play, too much is a good thing...
Tribes is pitch-perfect." --
New York Post "In this provocative and original play, Raine keeps the ideas and the ironies coming until the final thrilling, paradoxical image. Raine's gift is for penetration; she makes her story mean more than the social problem it dramatizes." -- New Yorker
"There's so much going on in
Tribes that it's almost overwhelming: intellect and sentiment, love and cruelty, witty zingers and biting put-downs. But in Nina Raine's dazzling play, too much is a good thing...
Tribes is pitch-perfect." --
New York Post "In this provocative and original play, Raine keeps the ideas and the ironies coming until the final thrilling, paradoxical image. Raine's gift is for penetration; she makes her story mean more than the social problem it dramatizes." -- New Yorker